Patrick Wilson was always looking to achieve something, but when he got the chance to make his directorial debut on Insidious: The Red Doorhe didn’t jump at the chance.
“I didn’t know if I wanted to feel like I was putting myself in the shoes of what I think are two of Leigh’s greatest creators. [Whannell] and Jacques [Wan] who have defined horror for me over the past 15 years,” he says. digital spy.
It didn’t take long for him to change his mind, knowing that he would be surrounded by people who are “the best at the business” and who also trust him. “I felt silly for questioning myself,” Wilson continues.
“It became this big lesson in filmmaking because I got to be around people who do it so well. When they trust themselves and you, then it’s a good working relationship.”
There’s a reason Wilson was the perfect person to lead Insidious: The Red Door as the new film brings back the entire Lambert family for the first time since Insidious: Chapter 2. Wilson reprises his role as Josh and is joined by Ty Simpkins, Rose Byrne and Andrew Astor as Dalton, Renai and Foster, respectively.
Nine years after the traumatic events of the second film, Josh and Dalton begin to question their memory emptiness. In order to bury their demons once and for all, they must go deeper into The Further than they have ever done before to confront their family’s dark past.
This meant that in addition to directing his first film, Wilson also had a major role to play on camera as Insidious: The Red Door is a father-son story more than anything, with Simpkins in his first starring role as Dalton’s co-lead.
But for Wilson, what was it like working for Patrick Wilson, the actor? “He’s a moron. He’s a diva and he made me wait a lot,” he jokes. digital spy.
“I can’t say it was seamless the whole time. I know I’m not valuable to my performance, so I tried to give myself two or three takes and then walk away. If I I felt like I didn’t understand that, I would look back on it,” Wilson adds.
“It’s something that I’ve encouraged young actors to do too, certainly when they’re starting their careers. I don’t want them to have this opinion that a lot of actors haven’t been able to look at themselves. I think it’s important that the actors can do that.”
As self-deprecating as Wilson is, his co-stars are full of praise for his behind-the-scenes work. Simpkins, in particular, enjoyed Wilson’s presence as it marked the final stage of a long relationship with him.
“I’ve worked with Patrick where he’s played my dad in four different movies now, the first time when I was three. He’s someone I trust so much [and] when I trust my director and am close to him, it’s a lot easier for me to communicate with what he wants or what she wants or what I want,” says Simpkins.
“Everything falls into place and it’s a very comfortable experience. But on top of that it was so much fun seeing him again and being able to work with him every day and he’s a very funny guy.”
Lin Shaye – who reprises her role as Elise in the new film – adds: “Patrick was extraordinary and his new role as director was quite amazing. He was calm. He was precise. He was able to go from this to that. He was just great to work with him.”
And Wilson didn’t just make an impression on his pursuit Insidious co-stars. Sinclair Daniel plays the biggest new character in Insidious: The Red Door as Chris, Dalton’s roommate when he moves to art college.
As a fan of the show, it meant a lot to Daniel that this film was his first major film role, and given that she shared a similar experience in theater and television with its director, that made Wilson the director. ideal for her.
“He was very sensitive to all my anxieties and really helped me gain confidence throughout this process,” she enthuses. “I felt like he had a really good vocabulary for talking to us as actors and then also talking to people on the other side of the camera because he did it all.”
Of course, as good as Wilson worked with on set, there’s one thing Insidious fans crave: being scared.
The first film delivered one of modern horror’s most iconic scares when the Lipstick Face Demon appears behind Josh’s face. Although subsequent films varied in quality, they often delivered scares. Think Insidious: Chapter 2the church of corpses or the suitcase sequence in Insidious: The Last Key.
Wilson knew the importance of scaring the public when it came to Insidious: The Red Doorbut he also wanted to make sure he wasn’t just repeating the same old scares.
“You won’t get better than that one behind my face [in Insidious]. It just won’t happen. I think it’s been listed as one of the best jump scares of all time. The last thing I wanted to do was try to recreate that,” he notes.
“I wanted different kinds of scares because that’s what attracts me. Yes, we have scares. I also wanted weird moments, more tonal scares. I wanted to scare during the day. I had a scare which almost turns into an action sequence, a little nod to John Carpenter from the 90s.”
With Insidious: The Red Door Just around the corner, fans will soon be able to decide if Wilson delivered those scares and if, despite his initial apprehension, he really was the best person to end the Lamberts’ story.
Insidious: The Red Door hits theaters on July 7.